Louis Erard introduces the Gravée Main
Ukrainian engraver Maksym Shavlak spends more than 50 hours turning each stainless steel Noirmont case into eighteenth-century Baroque foliage, and no two are alike.
Ukrainian engraver Maksym Shavlak spends more than 50 hours turning each stainless steel Noirmont case into eighteenth-century Baroque foliage, and no two are alike.
Konstantin Chaykin, the independent watchmaker who made Russia's first tourbillons, wanted more complexity for the Time Eater he shares with Louis Erard: specifically, a tourbillon.
Manuel Emch of Louis Erard recalls that Konstantin Chaykin called with a grin: making watches together was fun, but he wanted to sell a few himself.
In December 2021, Manuel Emch brought Louis Erard together with Patrik Sjögren’s Swedish workshop GoS, pairing Swiss regulator design with the art of Damascus steel.
Since 2018, Sylvie Fleury has turned make-up palettes into monumental paintings, and Louis Erard has now turned one into a watch.
The second watch from Louis Erard and Vianney Halter began, its CEO says, with an accidental phone call.
Louis Erard turns to a 1930s archetype for its first sector-type dial, engraved in black and rose-gilt for the brand’s Noirmont Métiers d’Art line.
La Chaux-de-Fonds is where Louis Erard was born, and its postcode, 2300, now names the brand’s sport chronographs, once called La Sportive.
Stefan Kudoke, the first independent German master watchmaker to win a Grand Prix d’Horlogerie de Genève, redesigned Louis Erard’s regulator dial in three colours.
Amr Sindi, the collector behind The Horophile, and Manuel Emch, CEO of Louis Erard, built this fourth Petite Seconde Metropolis on 16 years of friendship, this time in green.
Alain Silberstein brings his Bauhaus-inspired shapes to the Smile-Day Stahlgrau, the latest watch in his collaboration with Louis Erard, running since 2019.
Alain Silberstein had not made a tourbillon watch in over a decade, until his friendship with Manuel Emch, CEO of Louis Erard, brought him back to it.